Armando ALBUQUERQUE – Sonho I (1950)
_________. Sonho II (1952)
_________. Sonho III (1974)
_________. Poema ao Mar (1947)
Louis ANDRIESSEN – Zilver (1994) for mixed ensemble
_________. Dubbelspoor (1986) for amplified harpsichord and piano
_________. Workers Union (1975) for any loud-sounding group of instruments
Alyssa ASKA – The Woman and the Lyre: Sapphic Fragments (2016) for voice, flute, cello and piano *première*
Alan Gordon BELL – a great arch softening the mountains (2001), for soprano, bass clarinet, piano, violin, and sound file
Luciano BERIO – Sequenza IV (1966)
_________. Wasserklavier (1965)
_________. Erdenklavier (1969)
_________. O King (1968-72), version for voice soloist and chamber ensemble
Derek BERMEL – SchiZm for clarinet and piano
Marcelo BIRCK – Exegese n. 1 (1999) *première*
Marita BOLLES-RYTHER – What Exit (2002) *première*
Rose BOLTON – Very Near the Edge of the Flat Earth (2009), for viola and piano
Rolf BOON – Waves (2006), for ensemble
Pierre BOULEZ – Douze Notations (1945)
_________. Dérive (1984), pour six instruments
Nathan BROCK – Texture Meditations (2005), for ensemble
Annette BROSIN – ?! ?! (interrobang) (2015), for harpsichord, piano and midi keyboards *première*
Christopher BUTTERFIELD – Souvenir (1990)
John CAGE – In a Landscape (1948)
_________. A Room (1943)
_________. Two Pieces (1946)
_________. HPSCHD (1967-69), for up to seven harpsichords and fifty-one tapes
_________. The Wonderful Widow of Eighten Springs (1947), for soprano and piano
_________. Amores (1943), for prepared piano and percussion
_________. Credo in US (1942), for piano and percussion
Richard CARRICK – Légèreté (2001)
_________. The Fall (2001) *première*
Elliott CARTER – Night Fantasies (1980)
_________. Two Diversions (1999)
_________. Asko Concerto (2000)
Isaiah CECCARELLI – The right chords sounding at the right time (hopefully) (2014) for piano and harpsichord *première*
John CELONA – Point No Point (2007) *première*
_________. Meu rosto mudou (2010) for piano and film *première*
Celso Loureiro CHAVES – Estudo Paulistano (1998) *première*
_________. Estética do Frio II (2005), for piano, clarinet and string orchestra *première*
_________. Needle Park: Night (2005), for piano
Sean CLARKE – Christus, Der Uns Selig Macht (2008), for alto saxophone, violin and piano *première*
Aaron COPLAND – Night Thoughts (1972)
John CORIGLIANO – Fantasia on an Ostinato (1985)
James CORREA – Ékdysis (1996)
Jean COULTHARD – When music sounds (1986), for viola and piano
Henry COWELL – Ostinato Pianissimo (1934), for chamber ensemble
George CRUMB – Music for a Summer Evening (Makrokosmos III) (1974), for two amplified pianos and percussion
_________. Aparition – Elegiac Songs and Vocalises for Soprano and Amplified Piano (1979)
Gyula CSAPÓ – La Bimba Céleste (2002)
Antonio Carlos Borges CUNHA – Logos (1991)
_________. Pomânder (1997) *première*
_________. Noturno para Chopin: “in memoriam” (1999)
Luigi DALLAPICCOLA – Quaderno musicale di Annalibera (1953)
Mario DAVIDOVSKY – Syncronisms No. 6 (1970), for piano and electronic sounds
Hywel DAVIES – Encinitas Variations (2006) *première*
_________. Fourth Apostrophe (2007) *première*
_________. Pianostudy
_________. Angelus (2010) for piano and film *première*
Stephen DAVISMOON – Resonant Shoreline (2010-11) for piano and live electronics *première*
Claude DEBUSSY – Preludes – Book II (1913)
_________. Six Epigraphes antiques, for piano 4 hands
Emily DOOLITTLE – minute etudes (book two) (2002)
Ali Nader ESFAHANI – Circumpolaris Suite (2010) *première*
Alexandre ESPINHEIRA – Far from Here Sunset is Early Morning III (2014) for piano 4-hands and electroacoustic sounds *première*
_________. Berimbau (2019), for piano (+voice) and electroacoustic sounds *première*
Morton FELDMAN – Palais de Mari (1986)
_________. For John Cage (1982), for violin and piano
_________. For Philip Guston (1984), for percussion, flutes and piano/celeste
Danniel FERRAZ- Time-Lapse (2014) for piano 4-hands *première*
Richard FESTINGER – Three Little Piano Pieces (1991)
Stacy GARROP – Tantrum (2000), for viola and piano
Aaron GERVAIS – Hockey Story (2009)*première*
_________. Five Reflective Fragments (2006), for piano, percussion and string quartet
_________. Recycled 80s Live (2008), for soprano, piano and percussion *première*
Sean GRIFFIN – Doppio Movimento (2002) *première*
Brian GRIFFEATH-LOEB – Vergence II: No meio do caminho (2012) for piano and vocals *première*
Jorge Villavicencio GROSSMANN – Dois Aforismos com Interludio (2010) for piano and electronic sounds *première*
Paulo GUICHENEY – Mer (2012) *première*
_________. afloat (2014), for piano and electroacoustics *première*
_________. ILUMINURAS I. A Silent Fjord (2016), for piano and percussion *première*
Keith A. HAMEL – Each Life Converges to Some Centre (1992), for violin and piano
James HARLEY – Etude pour une fête (Jazz II) (1991), for ensemble
Piers HELLAWELL – Basho (1996)
Steven HOEY – Artifact I (1999)
Terri HRON – Undressing a past (2010) for piano and live electronics *première*
_________. AhojAhoj (2011) for piano and soundtrack *première
_________. Beast Calls: Pseudacris Crucifer Crucifer (2012) for viola and piano *première*
_________. Celeste forma, anzi lucente stella (2015) for harpsichord and piano *première
Andrew INFANTI – Acto piadoso ou Le Jardin de Faustine (2009) *première*
Charles IVES – Songs for soprano and piano
William JORDAN – Sonata for Saxophone and Piano (2000)
Bruno KIEFER – Seis Pequenos Quadros (1981)
_________. Terra Selvagem (1971)
Edino KRIEGER – Prelúdio (Cantilena) e Fuga (Marcha Rancho)
György KURTAG – Hommage a Robert Schumann, op. 15d (1990), for clarinet, viola and piano
Chantale LAPLANTE – For Piano, Tape and Conversation (2001-02)
_________. Estudo de um piano (2007-08), for prepared piano and tape *première*
_________. Jerusalem (2010), for tenor saxophone, piano and laptop computer *première*
Emilie LEBEL – Homesick Curiosity (2010), for piano and tape *première*
_________. Metropolis (2010), for piano, pianist voice, electronics and film *première*
_________. Longing (2012), for piano *première*
_________. View from the Train (2012), for piano, electronics and film *première*
_________. Breaker (2012), for piano, electronics and film *première*
_________. Wonder (2012), for piano, electronics and film *première*
_________. The Taste of Bitter Melon (2009), for chamber ensemble *première*
_________. Locate (2011), for viola, piano and percussion
_________. Losing Home (2013), for saxophone and piano *première*
_________. December is well known for blizzards and whiting out memories (2012), for chamber ensemble *première*
Jimmie LEBLANC – Lignes d’Ombre (2011) for piano, harpsichord and electronics *première*
Brent LEE – Braga (2009), for soprano, bass clarinet, piano and digital signal processing
Hope LEE – entends, entends le passé qui marche… (1992) for piano and tape
_________. o som do desassossego . . . reflection on recollection (2015) for piano
Philippe LEROUX – Dense… Englouti (2011)
György LIGETI – Etude No. 5: Arc-en-ciel (1985)
_________. Etude No. 8 : Fém (1988-1994)
_________. Etude No. 15: White on White (1995)
Kuei-Ju LIN – Untitled (2001), for chamber ensemble
Claudio LLUAN – Música para dos pianos (2005) *première*
Alex LOEWEN – Flat (2016) for piano and pre-recorded sounds *première*
François-Bernard MÂCHE – Areg (1977), for piano 4 hands
_________. Mesarthim (1987), for two pianos
_________. Styx (1984), for 2 pianos 8 hands
_________. Léthè (1985), for 2 pianos 8 hands
Ernst MAHLE – Toccata, for piano 4 hands
Maria Eduarda MENDES MARTINS – Douce Dame Jolie (2017) for speaking pianist and electronics *première*
Shelley MARWOOD – Merge for chamber ensemble (2009) *première*
Fernando MATTOS – Prelúdios em Porto Alegre (1997) *première*
_________. Epígrafes Espanholas (1997) *première*
_________. Distans I (2000) *première*
_________. The Boat Sings (2012) *première*
Diana MCINTOSH – From Wapta Ice (2003), for piano, tape and spoken voice
Rodrigo MEINE – Mohamed’s Clock (2016), for piano and electronics *première*
Chris MERCER – Untitled for 10 Players (2002) *première*
Darren MILLER – for will robbins (2010), for piano and tape *première*
_________. Second Self (2016), for piano and electronic sounds *première*
Eduardo Reck MIRANDA – Grain Streams (1999) for piano and electronics
_________. Mozart Reloaded (2010) for piano and electroacoustics *première*
Ricardo MITIDIERI – Alternata I (1998) *première*
Yumiko MORITA – Night Fantasy (1996)
_________. Into the Murk (2000), for piano and two clarinets *première*
_________. Bamboo bending in the Snow (2001), for cello and piano *première*
Jeff MORTON – Then Letters Pop Out from a Background (2016) for piano and pianist’s voice *première*
Tristan MURAIL – La Mandragore (1993)
Luigi NONO – …sofferte onde serene… (1976), for piano and magnetic tape
Robert NORMANDEAU – Figures de rhétoriques (1998) for tape and piano
David OCCHIPINTI – The Land and the Sky (2010), for piano and autoharp *première*
Will OGDON – Chamber Suite 2000 *première*
Flávio OLIVEIRA – Round about Debussy (1989)
João Pedro OLIVEIRA – Titanium for piano 4-hands, 2 toy pianos and electroacoustic sounds *première*
Rafael de OLIVEIRA – Construção II for piano and electronics *première*
Gabriela ORTIZ – Preludio I e Estudio I (homenaje a Ligeti) (2002)
Barbara PENTLAND – Horizons (1985)
_______. Duo for Viola and Piano (1960)
Alain PERRON – Cycle 4 (2010) for soprano, alto, tenor and baritone saxophones, piano and percussion *première*
Tobias PICKER – Old and Lost Rivers (1986)
Aura PON – Music for a Tower (2008) for alto saxophone, violin, percussion and piano *première*
Nova PON – Myosotis (2012) for solo speaking pianist *première*
_______. Four Prairie Seeds (2008) for saxophone, violin, piano and percussion *première*
Serge PROKOFIEFF – Sonata No. 7 op. 83 (1942)
Laurie RADFORD – Infolding (2008) for soprano saxophone, violin, piano, percussion and digital signal processing *première*
_______. Reson III (2017) for harpsichord, piano and 8-channel electronics *première*
Maurice RAVEL – Ma Mère L’oye, for piano 4 hands
Antonio Celso RIBEIRO – 3 Baladas do Amor Amargo ou 3 Baladas do Amargo Amor (2013) for piano and pianist’s voice *première*
Felipe Almeida RIBEIRO – Desassossego Latente (2010) *première*
_________. Zigzag (2016), for percussion and piano *première*
Abigail RICHARDSON – dissolve for piano, percussion and harp (2002)
Terry RILEY – In C (1964), for chamber ensemble
Paulo RIOS FILHO – Ramos (2016) for piano (+voice) and electronics *première*
Stephanie ROBINSON – Late Shift (2002-3) *première*
Kaija SAARIAHO – Serenatas (2008), for piano, cello and percussion
_________. Calices (2009), for violin and piano
Lourdes SARAIVA- Três Prelúdios e Fuga (1994)
_________. Poema Místico (2012) for piano and recitation *première*
_________. En los Ecos de un Vano Sueño (2015) for amplified voice and four hands piano *première*
_________. Gitanjali (1998), for clarinet, piano and percussion
_________. Alma Errante (1999), for baritone, clarinet, percussion, piano and cello *première*
Alfred SCHNITTKE – Concerto for Piano and Strings (1979)
Arnold SCHOENBERG – Drei Klavierstücke, op. 11 (1909)
_________. Sechs Kleine Klavierstücke, op. 19
_________. Verklärte Nacht for violin, cello and piano (arranged by Edward Steuermann)
Arlan N. SCHULTZ – Ikos – kun tu ‘bar ba (2009-2010), for soprano, tenor saxophone, percussion, harp, piano, processed audio, and real-time spatialization *première*
Salvatore SCIARRINO – Perduto in una città d’acque (1991)
Eduardo SEINCMAN – A Dança de Dorian, for piano 4 hands
Linda Catlin SMITH – With Their Shadows Long (1997) for violin and piano
_______. Thought and Desire (2007) for piano
_______. Brocade (2013), for harpsichord and piano *première*
Harvey SOLLBERGER – Impromptu (1968)
Edward STEUERMANN – Sonata for Piano (1925-26)
Karlheinz STOCKHAUSEN – Klavierstück IX (1961)
_________. Refrain (1959), for two pianists and one percussionist
_________. Kontakte (1960), for percussionist, pianist and tape
_________. Mantra (1972), for two pianists
Igor STRAVINSKY – Sonata (1924)
Anthony TAN – …this chain… (2011) for percussion and ensemble *première*
Veronica TAPIA – Viento y Piedra (2008) for saxophone, piano and percussion *première*
_________. Manto Huichol (2013) for saxophone and piano *première*
Hans TUTSCHKU – Winternacht (2006) for piano, percussion, piano and live electronics
Chinary UNG – Seven Mirrors for piano
Rodolfo VALENTE – memorial do granito (2015) *première*
Jacob Ter VELDHUIS – The Body of Your Dreams (2002) for piano and boombox
Christiaan VENTER – The Long Road (2013) for saxophone, violin and piano *première*
_________. The Open Country (2009) for mixed chamber ensemble *première*
Roberto VICTORIO – IKS (1988) for piano 4 hands
Heitor VILLA-LOBOS – Ciranda “O Cravo brigou com a Rosa”
Edmundo VILLANI-CÔRTES – Belibá, for piano 4 hands
_________. Beiráceas, for piano 4 hands
Anton WEBERN – Drei Gesange op. 23 (1933-34), for soprano and piano
Hildegard WESTERKAMP – Like a Memory (2002)
Ernst WIDMER – Estudos Polirrítmicos (1968)
David WIGHTMAN – Magnum Opus (2007), for ensemble
Edson ZAMPRONHA – Curva ao Infinito (2012) for piano and electronics *première*
Luciano ZANATTA – As paineiras, as viagens intergaláticas e a dissolução moral do ocidente (2000) *première*