Repertoire

Armando ALBUQUERQUE – Sonho I (1950)
_________.  Sonho II (1952)
_________.  Sonho III (1974)
_________.  Poema ao Mar (1947)

Louis ANDRIESSEN – Zilver (1994) for mixed ensemble
_________.  Dubbelspoor (1986) for amplified harpsichord and piano
_________.  Workers Union (1975) for any loud-sounding group of instruments

Alyssa ASKA – The Woman and the Lyre: Sapphic Fragments (2016)  for voice, flute, cello and piano *première*

Alan Gordon BELL – a great arch softening the mountains (2001), for soprano, bass clarinet, piano, violin, and sound file

Luciano BERIO – Sequenza IV (1966)
_________.  Wasserklavier (1965)
_________.   Erdenklavier (1969)
_________.  O King (1968-72), version for voice soloist and chamber ensemble

Derek BERMEL – SchiZm for clarinet and piano

Marcelo BIRCK – Exegese n. 1 (1999) *première*

Marita BOLLES-RYTHER – What Exit (2002) *première*

Rose BOLTON – Very Near the Edge of the Flat Earth (2009), for viola and piano

Rolf BOON – Waves (2006), for ensemble

Pierre BOULEZ – Douze Notations (1945)
_________.  Dérive (1984), pour six instruments

Nathan BROCK – Texture Meditations (2005), for ensemble

Annette BROSIN – ?! ?! (interrobang) (2015), for harpsichord, piano and midi keyboards *première*

Christopher BUTTERFIELD – Souvenir (1990)

John CAGE – In a Landscape (1948)
_________.  A Room (1943)
_________.  Two Pieces (1946)
_________.  HPSCHD (1967-69), for up to seven harpsichords and fifty-one tapes
_________.  The Wonderful Widow of Eighten Springs (1947), for soprano and piano
_________.  Amores (1943), for prepared piano and percussion
_________.  Credo in US (1942), for piano and percussion

Richard CARRICK – Légèreté (2001)
_________.  The Fall (2001) *première*

Elliott CARTER – Night Fantasies (1980)
_________.  Two Diversions (1999)
_________.  Asko Concerto (2000)

Isaiah CECCARELLI – The right chords sounding at the right time (hopefully) (2014) for piano and harpsichord *première*

John CELONA – Point No Point (2007) *première*
_________.  Meu rosto mudou (2010) for piano and film *première*

Celso Loureiro CHAVES – Estudo Paulistano (1998) *première*
_________.  Estética do Frio II (2005), for piano, clarinet and string orchestra *première*
_________.  Needle Park: Night (2005), for piano 

Sean CLARKE – Christus, Der Uns Selig Macht (2008), for alto saxophone, violin and piano *première*

Aaron COPLAND – Night Thoughts (1972)

John CORIGLIANO – Fantasia on an Ostinato (1985)

James CORREA – Ékdysis (1996)

Jean COULTHARD – When music sounds (1986), for viola and piano

Henry COWELL – Ostinato Pianissimo (1934), for chamber ensemble

George CRUMB – Music for a Summer Evening (Makrokosmos III) (1974), for two amplified pianos and percussion
_________.  Aparition – Elegiac Songs and Vocalises for Soprano and Amplified Piano (1979)

Gyula CSAPÓ – La Bimba Céleste (2002)

Antonio Carlos Borges CUNHA – Logos (1991)
_________.  Pomânder (1997) *première*
_________.  Noturno para Chopin: “in memoriam” (1999)

Luigi DALLAPICCOLA – Quaderno musicale di Annalibera (1953)

Mario DAVIDOVSKY – Syncronisms No. 6 (1970), for piano and electronic sounds

Hywel DAVIES – Encinitas Variations (2006) *première*
_________.  Fourth Apostrophe (2007) *première*
_________.  Pianostudy
_________.  Angelus (2010) for piano and film *première*

Stephen DAVISMOON – Resonant Shoreline (2010-11) for piano and live electronics *première*

Claude DEBUSSY – Preludes – Book II (1913)
_________.  Six Epigraphes antiques, for piano 4 hands

Emily DOOLITTLE – minute etudes (book two) (2002)

Ali Nader ESFAHANI – Circumpolaris Suite (2010) *première*

Alexandre  ESPINHEIRA – Far from Here Sunset is Early Morning III (2014) for piano 4-hands and electroacoustic sounds *première*
_________.  Berimbau (2019), for piano (+voice) and electroacoustic sounds *première*

Morton FELDMAN – Palais de Mari (1986)
_________.  For John Cage (1982), for violin and piano
_________.  For Philip Guston (1984), for percussion, flutes and piano/celeste

Danniel  FERRAZ- Time-Lapse (2014) for piano 4-hands *première*

Richard FESTINGER – Three Little Piano Pieces (1991)

Stacy GARROP – Tantrum (2000), for viola and piano

Aaron GERVAIS – Hockey Story (2009)*première*
_________.  Five Reflective Fragments (2006), for piano, percussion and string quartet
_________.  Recycled 80s Live (2008), for soprano, piano and percussion *première*

Sean GRIFFIN – Doppio Movimento (2002) *première*

Brian GRIFFEATH-LOEB – Vergence II: No meio do caminho (2012) for piano and vocals *première*

Jorge Villavicencio GROSSMANN – Dois Aforismos com Interludio (2010) for piano and electronic sounds *première*

Paulo GUICHENEY – Mer (2012) *première* 
_________.  afloat (2014), for piano and electroacoustics  *première*
_________.  ILUMINURAS I. A Silent Fjord (2016), for piano and percussion *première*

Keith A. HAMEL – Each Life Converges to Some Centre (1992), for violin and piano

James HARLEY – Etude pour une fête (Jazz II) (1991), for ensemble

Piers HELLAWELL – Basho (1996)

Steven HOEY – Artifact I (1999)

Terri HRON – Undressing a past (2010) for piano and live electronics *première*
_________.  AhojAhoj (2011) for piano and soundtrack *première
_________.  Beast Calls: Pseudacris Crucifer Crucifer (2012) for viola and piano *première*

_________.  Celeste forma, anzi lucente stella (2015) for harpsichord and piano *première

Andrew INFANTI – Acto piadoso ou Le Jardin de Faustine (2009) *première*

Charles IVES – Songs for soprano and piano

William JORDAN – Sonata for Saxophone and Piano (2000)

Bruno KIEFER – Seis Pequenos Quadros (1981)
_________.  Terra Selvagem (1971)

Edino KRIEGER – Prelúdio (Cantilena) e Fuga (Marcha Rancho)

György KURTAG – Hommage a Robert Schumann, op. 15d (1990), for clarinet, viola and piano

Chantale LAPLANTE – For Piano, Tape and Conversation (2001-02)
_________.  Estudo de um piano (2007-08), for prepared piano and tape *première*
_________.  Jerusalem (2010), for tenor saxophone, piano and laptop computer *première*

Emilie LEBEL – Homesick Curiosity (2010), for piano and tape *première*
_________.  Metropolis (2010), for piano, pianist voice, electronics and film *première*
_________.  Longing (2012), for piano *première*
_________.  View from the Train (2012), for piano, electronics and film *première*
_________.  Breaker (2012), for piano, electronics and film *première*
_________.  Wonder (2012), for piano, electronics and film *première*
_________.  The Taste of Bitter Melon (2009), for chamber ensemble *première*
_________.  Locate (2011), for viola, piano and percussion
_________.  Losing Home (2013), for saxophone and piano *première*
_________.  December is well known for blizzards and whiting out memories (2012), for chamber ensemble *première*

Jimmie LEBLANC – Lignes d’Ombre (2011) for piano, harpsichord and electronics *première*

Brent LEE – Braga (2009), for soprano, bass clarinet, piano and digital signal processing

Hope LEE – entends, entends le passé qui marche… (1992) for piano and tape
_________.  o som do desassossego . . . reflection on recollection (2015) for piano

Philippe LEROUX – Dense… Englouti (2011)

György LIGETI – Etude No. 5: Arc-en-ciel (1985)
_________.  Etude No. 8 : Fém (1988-1994)
_________.  Etude No. 15: White on White (1995)

Kuei-Ju LIN – Untitled (2001), for chamber ensemble

Claudio LLUAN – Música para dos pianos (2005) *première*

Alex LOEWEN – Flat (2016) for piano and pre-recorded sounds *première*

François-Bernard MÂCHE – Areg (1977), for piano 4 hands
_________.  Mesarthim (1987), for two pianos
_________.  Styx (1984), for 2 pianos 8 hands
_________.  Léthè (1985), for 2 pianos 8 hands

Ernst MAHLE – Toccata, for piano 4 hands

Maria Eduarda MENDES MARTINS – Douce Dame Jolie (2017) for speaking pianist and electronics *première*

Shelley MARWOOD – Merge for chamber ensemble (2009) *première*

Fernando MATTOS – Prelúdios em Porto Alegre (1997) *première*
_________.  Epígrafes Espanholas (1997) *première*
_________.  Distans I (2000) *première*
_________.  The Boat Sings (2012) *première*

Diana MCINTOSH – From Wapta Ice (2003), for piano, tape and spoken voice

Rodrigo MEINE – Mohamed’s Clock (2016), for piano and electronics *première*

Chris MERCER – Untitled for 10 Players (2002) *première*

Darren MILLER – for will robbins (2010), for piano and tape *première*
_________.  Second Self (2016), for piano and electronic sounds *première*

Eduardo Reck MIRANDA – Grain Streams (1999) for piano and electronics
_________.  Mozart Reloaded (2010) for piano and electroacoustics *première*

Ricardo MITIDIERI – Alternata I (1998) *première*

Yumiko MORITA – Night Fantasy (1996)
_________.  Into the Murk (2000), for piano and two clarinets *première*
_________.  Bamboo bending in the Snow (2001), for cello and piano *première*

Jeff MORTON – Then Letters Pop Out from a Background (2016) for piano and pianist’s voice *première*

Tristan MURAIL – La Mandragore (1993)

Luigi NONO – …sofferte onde serene… (1976), for piano and magnetic tape

Robert NORMANDEAU – Figures de rhétoriques (1998) for tape and piano

David OCCHIPINTI – The Land and the Sky (2010), for piano and autoharp *première*

Will OGDON – Chamber Suite 2000 *première*

Flávio OLIVEIRA – Round about Debussy (1989)

João Pedro OLIVEIRA – Titanium for piano 4-hands, 2 toy pianos and electroacoustic sounds *première*

Rafael de OLIVEIRA – Construção II for piano and electronics *première*

Gabriela ORTIZ – Preludio I e Estudio I (homenaje a Ligeti) (2002)

Barbara PENTLAND – Horizons (1985)
_______.  Duo for Viola and Piano (1960)

Alain PERRON – Cycle 4 (2010) for soprano, alto, tenor and baritone saxophones, piano and percussion *première*

Tobias PICKER – Old and Lost Rivers (1986)

Aura PON – Music for a Tower (2008) for alto saxophone, violin, percussion and piano *première*

Nova PON – Myosotis (2012) for solo speaking pianist *première*
_______.  Four Prairie Seeds (2008) for saxophone, violin, piano and percussion *première*

Serge PROKOFIEFF – Sonata No. 7 op. 83 (1942)

Laurie RADFORD – Infolding (2008) for soprano saxophone, violin, piano, percussion and digital signal processing *première*
_______.  Reson III (2017) for harpsichord, piano and 8-channel electronics *première*

Maurice RAVEL – Ma Mère L’oye, for piano 4 hands

Antonio Celso RIBEIRO – 3 Baladas do Amor Amargo ou 3 Baladas do Amargo Amor (2013) for piano and pianist’s voice *première*

Felipe Almeida RIBEIRO – Desassossego Latente (2010) *première*
_________.  Zigzag (2016), for percussion and piano *première*

Abigail RICHARDSON – dissolve for piano, percussion and harp (2002)

Terry RILEY – In C (1964), for chamber ensemble

Paulo RIOS FILHO – Ramos (2016) for piano (+voice) and electronics *première*

Stephanie ROBINSON – Late Shift (2002-3) *première*

Kaija SAARIAHO – Serenatas (2008), for piano, cello and percussion
_________.  Calices (2009), for violin and piano

Lourdes SARAIVA- Três Prelúdios e Fuga (1994)
_________.  Poema Místico (2012) for piano and recitation *première*
_________.  En los Ecos de un Vano Sueño (2015) for amplified voice and four hands piano *première*
_________.  Gitanjali (1998), for clarinet, piano and percussion
_________.  Alma Errante (1999), for baritone, clarinet, percussion, piano and cello  *première*

Alfred SCHNITTKE – Concerto for Piano and Strings (1979)

Arnold SCHOENBERG – Drei Klavierstücke, op. 11 (1909)
_________.  Sechs Kleine Klavierstücke, op. 19
_________.  Verklärte Nacht for violin, cello and piano (arranged by Edward Steuermann)

Arlan N. SCHULTZ – Ikos – kun tu ‘bar ba (2009-2010), for soprano, tenor saxophone, percussion, harp, piano, processed audio, and real-time spatialization *première*

Salvatore SCIARRINO – Perduto in una città d’acque (1991)

Eduardo SEINCMAN – A Dança de Dorian, for piano 4 hands

Linda Catlin SMITH – With Their Shadows Long (1997) for violin and piano
_______.  Thought and Desire (2007) for piano
_______.  Brocade (2013), for harpsichord and piano *première*

Harvey SOLLBERGER – Impromptu (1968)

Edward STEUERMANN – Sonata for Piano (1925-26)

Karlheinz STOCKHAUSEN – Klavierstück IX (1961)
_________.  Refrain (1959), for two pianists and one percussionist
_________.  Kontakte (1960), for percussionist, pianist and tape
_________.  Mantra (1972), for two pianists

Igor STRAVINSKY – Sonata (1924)

Anthony TAN – …this chain… (2011) for percussion and ensemble *première*

Veronica TAPIA – Viento y Piedra (2008) for saxophone, piano and percussion *première*
_________.  Manto Huichol (2013) for saxophone and piano *première*

Hans TUTSCHKU – Winternacht (2006) for piano, percussion, piano and live electronics

Chinary UNG – Seven Mirrors for piano

Rodolfo VALENTE – memorial do granito (2015) *première*

Jacob Ter VELDHUIS – The Body of Your Dreams (2002) for piano and boombox

Christiaan VENTER – The Long Road (2013) for saxophone, violin and piano *première*
_________.  The Open Country (2009) for mixed chamber ensemble *première*

Roberto VICTORIO – IKS (1988) for piano 4 hands

Heitor VILLA-LOBOS – Ciranda “O Cravo brigou com a Rosa”

Edmundo VILLANI-CÔRTES – Belibá, for piano 4 hands
_________.  Beiráceas, for piano 4 hands

Anton WEBERN – Drei Gesange op. 23 (1933-34), for soprano and piano

Hildegard WESTERKAMP – Like a Memory (2002)

Ernst WIDMER – Estudos Polirrítmicos (1968)

David WIGHTMAN – Magnum Opus (2007), for ensemble

Edson ZAMPRONHA – Curva ao Infinito (2012) for piano and electronics *première*

Luciano ZANATTA – As paineiras, as viagens intergaláticas e a dissolução moral do ocidente (2000) *première*